by Brenda Saunders
Coro-boree
Feel the spread of stamped ground firm and flat
the hardened clay beneath your grassy parkland
trace the invisible circles we once called bora
look for the guiding stones lining a pathway
for young men on the way to initiation
*
Our rings remain in the most unlikely places
Search on the edge of any town, find our circles
re-used as showgrounds, race-tracks, sale-yards
scratch below any suburban cricket pitch, ask
who shaped the hill, rounded the boundary line
*
Trams once looped the great bora at Koojee
now crowds picnic on the same scabby lawn
Sunbakers from the beach lie where the clans
held corroboree, find the Bidjigal land too hard
unaware of the years of dancing under their feet
*
At Meroobora the clan dug a giant bowl
shaped a rim to mirror the Sky Bora in space
waited for the right time to see the Creator Spirit
the Rainbow Serpent spinning his star dust
lighting celestial patterns in the winter darkness.
Coro-boree: bora ground for ceremony
Koojee: Coogee beach
Meroobora: Maroubra beach
Meroobora, Bidjigal: clans of the Eora Nation (Sydney)
Sky Bora: visible in August, South-East Australia
‘An Englishman’s Estate’
from ‘The Expeditions of Major Mitchell’, 1836, State Library of NSW.
We watched them come with new ideas for change
for ‘a green and pleasant land’ on Dharug Country
clearing our wildlife for sport or gain
They brought hounds for the English hunt, foxes
for them to chase, cleared woodlands, squared
the land into parcels bound with wire
Straightened our snaky trails for the shortest route
to town, herded sheep onto dry patchy runs
planted seeds in a land with no seasons
They smoothed the outcrops, gave new names
to our rivers and hills, new laws to turn the tribe
in on itself, send families drifting off Country
knowing the white man had come to stay.
Dharug Country: Western plains, Sydney
***
Brenda Saunders is a Wiradjuri writer from Sydney. She has published three poetry collections, the most recent Inland Sea (Ginninderra Press, 2021). Her poetry has been published widely in anthologies and journals, including Mascara, Australian Poetry, Best Australian Prose Poems (2021), and Best Australian Poems (2022).